About
Mirella Alexandrova is an enthusiastic and passionate Bulgarian Soprano who is based in Vienna where she continuously develops her vocal and artistic skills based on highly professional standards.
Mirella’s career path starts when she is only 3-years-old as she begins taking piano lessons and singing in children’s vocal choir. She has earned a Bachelor degree in Classical Singing (2016) and a Master degree in Vocal Pedagogy (2017) in Sofia, Bulgaria from the Bulgarian Music Academy, in the class of M. Basnarova. She is currently at the final stages of obtaining two Master degrees in Vienna, Austria from the Music and Arts Private University of Vienna. Opera Singing in the class of KS Elena Filipova and Lied und Oratorium in the class of KS Birgid Steinberger and Ralf Heiber.
During her studies, Mirella had the opportunity to take part in several master classes with Daniel Johannes, Rosana Lisitzian, Norman Shetler, Charles Spencer, Markus Hadulla, Minsu Pai and Helge Dorsch.
In 2020 she takes part of an international specialization for young opera singers in Rome, Italy.
Throughout her career Mirella has had many accomplishments by participating in several stage performances and productions including:
Soprano solo in “Grosse Messe Nr.3 in f-moll” by Anton Bruckner, directed by Yordan Kamdzhalov in 2020, Sofia, Bulgaria Soprano solo in "Christus am Ölberge, Op 85" by Ludwig van Bethoven, directed by Eduard Melkus in 2020, Baden, Austria 1st place Award and Audience Choice Award as part of the International Opera singing competition “The Euterpe Rose” in 2017 Participated in stage performances that take place in London’s Westminster Abbey and Covent Garden, as part of the London Olympic Games opening back in 2012Arias
| Handel | Cesare in Egitto | Cleopatra | “Piangerò la sorte mia” |
| “Da tempeste il legno infranto” | |||
| Alcina | Morgana | “Tornami a vagheggiar” |
| Mozart | Le nozze di Figaro | Susanna | “Giunse alfin il momento... Deh vieni, non tardar” |
| “Venite, inginocchiatevi” | |||
| Cosi fan tutte | Despina | “In uomini, in soldati” | |
| “Una donna a quindici anni” | |||
| Don Giovanni | Zerlina | “Batti, batti o bel Masetto” | |
| “Vedrai, carino” | |||
| Die Zauberflöte | Pamina | “Ach, ich fühl's, es ist verschwunden” |
| Donizetti | Don Pasquale | Norina | “Quel guardo, il cavaliere... So anch'io la virtù magica” |
| Lucia di Lammermoor | Lucia | “Regnava nel silenzio” | |
| Linda di Chamounix | Linda | “O luce, di quest'anima” |
| Bellini | I Capuleti e i Montecchi | Giulia | “Eccomi in lieta vesta… Oh quante volte ti chiedo” |
| I puritani | Elvira | “Qui la voce” |
| Verdi | Rigoletto | Gilda | “Caro nome” |
| Falstaff | Nanneta | “Sul fil d'un soffio etesio” |
| Gounod | Romeo et Juliette | Juliette | “Je veux vivre” |
| R. Strauss | Arabella | Fiakermilli | “Die wiener Herrn verstehen sich auf die Astronomie” |
| Der Rosenkavalier | Sophie und Octavian | Duet as aria “Es ist ein Gruss vom Himmel” |
| J. Strauss | Die Fledermaus | Adele | “Mein Herr Marquis, ein Mann wie Sie” |
| J. Doderer | Liliom | Julie | “Schlaf nur, Liliom” |
| Van de Vate | Where the cross is made | Sue | “Oh Nat, please let’s go away from here” |
| Menotti | The medium | Monica | “Monica, Monica dance the waltz” |
Oratorio
| Bach | Johannes Passion | “Ich folge dir gleichfalls” |
| “Zerfliesse, mein Herze” | ||
| Kantate N51 | “Jauchet Gott in allen Landen” |
| Handel | Messiah | “Rejoice, rejoice greatly” |
| Vivaldi | Gloria | “Domine Deus” |
| Mozart | “Exsultate, jubilate” | |
| Laudate Dominum |
| Beethoven | Christus am Ölberge |
| Carf Orff | Carmina Burana |
| Pleyel | Requiem |
| Faure | Requiem |
Operatic roles
| Donizetti | Don Pasquale | Norina |
| Puccini | Suor Angelica | Suor Genoffieva |
